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- Written by Gordon Brockhouse Gordon Brockhouse
- Parent Category: Shows-Events Shows-Events
- Created: 25 October 2021 25 October 2021
Toronto Audiofest 2021—Keeping It Safe
On September 27, an unexpected email appeared in my inbox. “Hey, Toronto, your Audiofest is back!” the message proclaimed. “After a two-year absence, the Toronto Audiofest is happy to return October 22–24, 2021, as the ‘SafeMode’ Toronto Audiofest.” I registered immediately.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 21 October 2021 21 October 2021
Evaluating the SVS SB16-Ultra Subwoofer
With the process of setting up the SVS SB16-Ultra complete, it was time to put this monster of a subwoofer through its paces to see how it performs. The first question I wanted to answer was whether the SVS app is preferable to the included small, plastic remote control. In a word, yes. The remote does provide basic controls such as volume and turning the display on or off, but the app gives the user far more control with direct access to functions such as the Parametric EQ and adjustable crossover. For users who don’t want their smartphone by their side in the listening room, the remote is handy in a pinch. The app, however, is made for you control freaks who want everything the sub is capable of right at your fingertips. I’ll use the app.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 07 October 2021 07 October 2021
Pairing the SVS SB16-Ultra Subwoofer with My Monitor Audio Speakers
I’ve had a set of Monitor Audio Studio standmount speakers ($1400 per pair when available, all prices USD) anchoring my multipurpose music/movie/YouTube stereo system for a few years now. This two-way minimonitor (mini Monitor?) is a high-resolution transducer, what with its AMT tweeter and dual midrange-woofers—both drive units derived from the company’s costlier Platinum series of flagship loudspeakers. The thing they lack, though, is deep bass. That is of course where SVS comes in.
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- Written by Brent Butterworth Brent Butterworth
- Parent Category: Shows-Events Shows-Events
- Created: 26 September 2021 26 September 2021
CanJam SoCal 2021: Part 2
Here’s the second half of my coverage of the CanJam SoCal 2021 headphone show, which took place September 25 and 26 at the Irvine Marriott hotel in Irvine, California. I was surprised to see so much innovation at this show—not just new headphone and earphone models but also new technologies I’d never seen before. But perhaps I shouldn’t have been too surprised, because what else were audio product designers going to do when they were shut inside for months?
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- Written by Brent Butterworth Brent Butterworth
- Parent Category: Shows-Events Shows-Events
- Created: 26 September 2021 26 September 2021
CanJam SoCal 2021: Part 1
Audio shows are understandably but sadly rare in the COVID-19 era, but happily, the relatively small (and manageable) CanJam SoCal headphone show was able to take place, at the Irvine Marriott in Irvine, California, just south of Los Angeles. All show attendees were required to be vaccinated (on the honor system) and wear masks, and we could take some comfort in the fact that California currently has the lowest rate of COVID-19 transmission in the US. Most exhibitors were careful to clean the headphones and earphones with sterile wipes after every use, and hand sanitizer was readily available.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 21 September 2021 21 September 2021
Exploring the Heart of the SVS SB16-Ultra Subwoofer: An Interview with Smith Freeman
In my May 1, 2021, SoundStage! Ultra article, “What Matters Most in an Audio System: The Loudspeaker Drive Unit,” I interviewed Vivid Audio’s technical director, Laurence Dickie, one of the world’s preeminent loudspeaker designers. The interview was all about drivers, obviously, and their importance above all other single factors in the design of a finished loudspeaker. In that article, Dickie—whose Vivid loudspeakers such as the Giya series are legendary in the industry—said something important:
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 10 September 2021 10 September 2021
Unboxing the SVS SB16-Ultra Subwoofer
Rarely does high-end audio offer a value proposition like that seen in the SVS SB16-Ultra subwoofer ($1999.99, all prices USD). Now that might sound like a bold statement, but as I was unboxing this big, bad SVS sub, I couldn’t help thinking about just what was enclosed in the massive cardboard box my son and I had hoisted up into my listening room.
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- Written by Roger Kanno Roger Kanno
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 24 August 2021 24 August 2021
The Technics SU-R1000: Fully Digital Tour de Force Integrated Amplifier Plays Records
With its large, analog VU level meters and old-school design aesthetic—and considering Technics’ reputation for producing turntables like the legendary SL-1200—you might think that the Technics SU-R1000 is an all-analog integrated amplifier at first glance. Nothing could be further from the truth. Lurking below its impeccably polished casework are a plethora of novel technologies, including an all-digital signal path and the company’s effort to take on the absolute state of the art with its Reference Class integrated amplifier.
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- Written by Rhys Brindle Rhys Brindle
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 16 August 2021 16 August 2021
Temple Audio: In a Class of its Own
Among the best-known British hi-fi brands, there are some much smaller “under-the-radar” companies that almost never receive the recognition or acclaim for the quality of products that they design and produce. Some of you may already be familiar with Temple Audio, but for those who are not, the company designs and creates a range of high-end products (most notably, amplification and power supplies) at their headquarters in Manchester, North West England.
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- Written by Brent Butterworth Brent Butterworth
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 02 August 2021 02 August 2021
Audeze's CRBN: An Actual Game-Changer in High-End Headphones?
The story of Audeze’s CRBN electrostatic headphones, which the company announced today, is unusual. And judging from the brief listen I got last week at Audeze’s Santa Ana, California, headquarters, so is the end result.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 21 July 2021 21 July 2021
Magico M9 Loudspeakers: No Compromises Allowed
My visit to Magico LLC at its Hayward, California, factory on July 16, 2021, was all about the company’s new M9 flagship loudspeaker ($750,000 per pair; all prices USD). You’ve seen the M9 press release. Maybe you’ve seen a few of the available M9 photos. My goal was to dig into the heart of it. I wanted to see the guts of the M9: cabinet, drivers, nuts, and bolts. And once I had all of that digested, I wanted to hear it.
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- Written by Joseph Taylor Joseph Taylor
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 12 July 2021 12 July 2021
Heal Our Land—The Concert
Music is universal and healing, and no one is more committed to using those qualities to promote harmony than Simeon “Sanch” Sandiford, a record executive, promoter, and music enthusiast. His love for the music of his native island, the Republic of Trinidad and Tobago, is boundless, as is his belief that music can bring people together. On August 14, 2016, Sandiford organized a concert featuring pianist Felix Roach at the Little Carib Theatre in Port of Spain. Sandiford promoted the show to help call attention to Roach’s album Felix Roach Plays the Spirituals, which Sandiford’s record company, Sanch Electronix, had released on HDCD a few weeks earlier.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 05 July 2021 05 July 2021
From Monitor Audio Studio to Gold 100 Loudspeakers: Part 4
As I said in “Part 3” of this series, Monitor Audio sent a Gold W12 subwoofer ($3300 USD) to pair with the Gold 100 loudspeakers I had in for audition. I’ve owned Monitor’s discontinued Studio loudspeakers for several years, and I wondered what the logical next step up the Monitor line would be. The Gold 100 proved to be a worthy successor to the Studio, although the improvements were more subtle than groundbreaking—after all, the Studio is a fantastic speaker in its own right. Would the W12 take the Gold 100s to the next level?
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- Written by Howard Kneller Howard Kneller
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 09 June 2021 09 June 2021
Acoustic Revive's New Audio Cables and Accessories Use Rare Mineral Found Only in Japan
Founded in 1997 by Ken Ishiguro, Acoustic Revive is a Japanese maker of audio cables and accessories that is headquartered in the city of Isesaki-shi, about 60 miles northwest of Tokyo. As a teenager growing up in Isesaki-shi during the 1970s, Ishiguro became swept up in the ten-year anniversary of the Beatles’ Japan invasion and frequently visited local audio shops to hear the band’s music.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 08 June 2021 08 June 2021
From Monitor Audio Studio to Gold 100 Loudspeakers: Part 3
Happy with the transition from a pair of Monitor Audio Studios to a pair of Monitor Audio Gold 100s, I wanted to see what it would take to get to the next level of sound quality with my A/V setup. The current system is powered by a vintage Coda Model 11 stereo amplifier capable of outputting 100Wpc in pure class A. The Coda is fed by an Oppo BDP-103 Blu-ray player using its analog RCA outputs and integral volume control. Cables are AmazonBasics speaker cables and RCA interconnects. The primary source for this system is an older Roku digital media player connected to the Oppo via an HDMI cable. I watch Netflix, Amazon Prime Video, HBO Max, YouTube, and FloSports over this system.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 31 May 2021 31 May 2021
From Monitor Audio Studio to Gold 100 Loudspeakers: Part 2
In “Part 1” of this four-part blog on my journey with Monitor Audio loudspeakers, I gave you a brief rundown of the physical and design differences between the Monitor Audio Studio ($1400 per pair, all prices USD), a pair of which I own, and the Gold 100 ($2300/pr.). I decided to compare the Gold 100 to the Studio for a couple of reasons: first, the Studio is now discontinued, and the Gold 100 is a logical purchase for someone in need of a reasonable-sized standmount speaker at a good price. Second, what audiophile would not enjoy the experience of comparing some closely matched loudspeakers?
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- Written by Doug Schneider Doug Schneider
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 26 May 2021 26 May 2021
A Surprise Live Musical Event with Les 9 de Montréal
Canada has had a relatively low per-capita death rate from COVID-19 since the pandemic began, and when you adjust for population size, Canada currently boasts one of the highest percentages of single-dose vaccinations in the world. Despite these successes, provincial governments across Canada are still maintaining strict lockdown measures, in the hope of avoiding a fourth wave of coronavirus outbreaks and unnecessary deaths. But these lockdowns have kept many businesses closed and countless people out of work.
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- Written by Jeff Fritz Jeff Fritz
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 19 May 2021 19 May 2021
From Monitor Audio Studio to Gold 100 Loudspeakers: Part 1
Monitor Audio’s Studio loudspeaker was introduced in 2018 and was touted as having Platinum-level drive units in a clean, simplified cabinet (Platinum is Monitor’s flagship speaker line). As I needed something to fill the (speaker) void left when I moved from my longtime residence to a rental house, while my family and I searched for a larger home, I promptly bought a pair. I detailed this purchase in “Jeff’s New Temporary Audio System,” published in May 2018 on SoundStage! Ultra. The $1400-per-pair Studios (all prices in USD) would be driven by a vintage Coda Model 11 class-A, 100Wpc stereo amplifier. When we moved into our current residence in summer 2018, the Monitors and the Coda moved, too. Although I built a new reference system, the Studios and the Model 11 were set up as part of a simple A/V system that I still use today for streaming movies and listening to music over YouTube.
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- Written by Hans Wetzel Hans Wetzel
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 10 May 2021 10 May 2021
Moving on up with Siltech's New Classic Legend Cables
I don’t do cable reviews very often. In fact, it’s been eight years since I reviewed some. I know some audiophiles go deep on cables and tweaks, but I’ve always been a set-it-and-forget-it kind of guy. So while my system as a whole has slowly moved upscale over the years, my hodgepodge of affordable cables from AudioQuest, DH Labs, and Dynamique Audio decidedly does not belong in the mix with my $11,000 Hegel Music Systems H590 integrated amplifier-DAC and $13,999.99/pr. KEF Reference 3 loudspeakers. Then the e-mail arrived: Siltech is updating its Classic Series of cables, and would I have interest in getting some in? Uh, I sure would.
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- Written by Dennis Burger Dennis Burger
- Parent Category: BloggingOnAudio BloggingOnAudio
- Created: 07 May 2021 07 May 2021
Unboxing the Rotel A11 Tribute
As I mentioned in a previous post, my two-channel system is a veritable revolving door of integrated amplifier review units as of late. I recently took a deep dive into Marantz’s PM-KI Ruby, the last in a long line of Signature pieces personally tuned by brand ambassador Ken Ishiwata before he left the company in 2019. Last month, I followed that up with a look at Rotel’s A11 Tribute (you can read the full review here). A tribute to whom, you ask? The same Ken Ishiwata, who consulted with Rotel on a redesign of the popular budget int-amp before his passing in November of 2019.
