CES 2015 - Las Vegas, USA
- Written by Jason Thorpe Jason Thorpe
- Parent Category: Salon Son & Image 2012 Salon Son & Image 2012
- Created: 24 March 2012 24 March 2012
The breakneck pace of show coverage is anathema to the goals of high-end audio. We assemble a stereo system to -- presumably -- create an environment where we can relax and enjoy a musical performance in the comfort of our own homes.
But while assembling show coverage we scamper from room to room and badger the occupants with our perennial question: "You got anything new?" If the proprietors answer in the negative, we rudely exit the premises and move on to the next room. Should they say, Why yes, we have a new product, we descend on them like locusts and devour every scrap of information that we can glean, and so put together show coverage for you, our dear readers.
It's busy, tiring, and stressful, but strangely rewarding.
Over the last few years I've burst into the DeVore Fidelity room (hosted by local retailer Coup De Foudre) like a man possessed, asked my question and got my information, and sat down for a quick listen. Three or four songs later I'm still there, the stress knot between my shoulder blades loosened and time slowed to a crawl.
This room drew me in and calmed me down. Part of the reason, I'm sure, is that John DeVore is always spinning vinyl and running a system that's filthy with tubes. John's also a fun guy to chat with, easygoing and Zen-like.
But his speakers are the root cause. Replacing the Gibbon Super 8, the new $5000 USD-per-pair Gibbon 88 (in its first appearance as a production model) is still an unassuming floorstander. It's a well-finished and elegantly proportioned cabinet that's rocking a 7" woofer and the requisite 1" tweeter. According to DeVore, the Gibbon 88 is a complete redesign, and the woofer features a chunkier magnet with a longer throw.
My sonic memory isn't reliable enough for me to contrast the Gibbon Super 8 (which I heard two years ago) with its replacement, but the 88 is one smooooth, satisfying speaker. There's plenty of weight down low, with a rich, detailed bass, and the top end is satin-rich, without a single rough edge. The Gibbon 88 shoots a superb soundstage, with realistic, fleshed-out, full-sized images. I could listen to these speakers all day.
The supporting infrastructure was most interesting. DeVore has shown with some of the same components in the past -- the Brinkmann Bardo turntable tipped with an EMT TSD 15 Cartridge was connected to a Leben RS-30EQ phono stage. The LM Audio 211IA integrated amplifier looked beautiful and sounded great, and it retails for a most reasonable $1650 CAD.
It's Saturday morning as I write this, and I'm steeling myself for another day of breakneck-paced show coverage. I'm going to see if I can take a break this afternoon and have my lunch delivered to the DeVore room.
Senior Contributor, The SoundStage! Network
Most-Read Articles on Global
- KEF's Killer Compact Monitor: The LS50
- Vitus Audio Masterpiece MP-L201 Preamplifier and Masterpiece MP-M201 Monoblock Amplifiers
- Super Speakers: Results
- More Magico, Less Money: The S5 Loudspeaker
- Awful Avalon
- The Perfect Power Amp -- Ayre Acoustics' New VX-5
- Glorious Giyas: Vivid Audio's New G3
- The Limited-Edition Tribute: Near-Perfect Paradigm
- Hegel: 10 to 11 for 0
- TWBAS 2012 Introduction from Las Vegas (Video)
- Wadia’s 321 Decoding Computer: An Affordable Exercise in Style and Substance
- WideaLab Aurender S10 Music Server
- Building the Qs: Part Two
- My Three Favorite DACs at CES 2012
- CES 2015: Competition is Fierce